There are a lot of technical reasons "why not," but that hasn't stopped the United States from trying, Fellow baby boom kids will remember the Flying Sub on Voyage to the Bottom of the Sea, and they didn't entirely make that up. From the US Naval Institute:
Matt's Sci/Tech Blog
Matt Bille, author
Sunday, June 29, 2025
A Flying Submarine? Why Not?
Saturday, March 01, 2025
Review: Karl Shuker's New Collection of Zoological Curiosities
ShukerNature (Book 3): Crystal Palace Dinosaurs, Jungle Walruses, and Other Belated Blog Beasts
Dr. Karl Shuker
Coachwhip Publications, 2023, 404 pp.
In this collection of essays on zoological, cryptozoological, and animal folklore topics, Dr. Shuker goes back to some topics previously visited in his ShukerNature blog and adds information he’s developed or received since they were first posted. The results are invariably interesting.
For example, it turns out Africa’s “Nandi bear,” a classic
cryptid sometimes explained as large hyena, is a more complex and interesting
matter than I knew. Shuker adds more recent accounts of something like this
dangerous predator, from widely separated locations, and examines their
connection to an ill-defined hyena variant colloquially called the “giant
forest hyena.” While the subject remains surrounded by controversy and
confusion, Shuker reports famed anthropologist and museum director Louis S. B.
Leakey sent a carcass and color photographs to the British Museum, where it
seems to have gone uncatalogued.
Shuker spends some time on Loch Ness looking at the fallout
from the “Surgeon’s Photograph.” It bothers some cryptozoologists that
Christian Spurling’s 1992 confession to faking the photograph was accepted
uncritically, despite inconsistencies and the lack of any supporting
evidence. While a hoax is (nearly)
always more likely than a huge monster, and Shuker wears on a bit repetitiously
about the topic, it's worth reflecting on. I’ve read a lot about the case
and didn’t know an altered version, without the hump or crown at the top of the
head, had been published: this led to something that’s always bothered me, a
reference by the late Roy Chapman Andrews to the photo’s showing a killer
whale fin, which it certainly does not.
Other posts touch on the famed Crystal Palace dinosaur
statues, Albert Koch’s fake monstrous prehistoric skeletons, puzzling rock art,
the African-Indian elephant hybrid Motty, an embarrassingly misidentified
“giant flea,” an intriguing collection of giant lizard reports from New Guinea,
and the discovery that manta ray markings can be much more striking and varied
than scientists used to think.
There are many sources, illustrations, and a good
bibliography to round out the book. This is a thoroughly entertaining
collection.
Matt Bille is a science writer, novelist, historian, and naturalist living in Colorado Springs. He can be reached at mattsciwriter@protonmail.com. Website: www.mattbilleauthor.com.
Sunday, January 19, 2025
Fiction: Maberry's epic Kagen trilogy concludes
A Kagen the Damned novel
Jonathan Maberry closes out his ambitious fantasy series, and fortunately for readers the execution is just as good as the vision.
Kagen Vale is, however unwillingly, a general leading a growing army from many nations whose leaders are willing to throw in against the Yellow King out of hatred, fear, or both. Still, they are heavily outnumbered, and there are a number of wild cards in play. Magic, skillfully employed by Maberry as an s analogy for nuclear weapons, has returned to the world and its use is spreading. The Yellow King, with his chaos-loving nonhuman advisor the Prince of Games, is not only the resurrector and master of magic but has ambitions that go far beyond “repainting the old Silver Empire yellow.” He understands the cosmic forces that pivot on the physical realm of mortals, and he hopes his alliance with the Lovecraftian god Hastur will transform him into a demigod who remake the world and even the universe. It’s not a new idea to have the fate of the world rest on a single determined individual (see LOTR), but Maberry puts plenty of original ideas into his epic. Kagen and untranslatable books for magic head for the Tower to get the Lady’s help, but the Yellow King has turned loose all manner of eldritch creatures to take her down. Kagen’s allies push north looking for the imprisoned dragon used as the source of the Yellow King’s magic, with the while the Queen and the Widow – who shows there is much more to her than a teenage girl - must face savage enemies on the seas to make their own contribution. Kagen’s allies and friends, especially Tuke and his lover Filia, shoulder heavy burdens – they never wanted to be generals, either, but they face up to it. Opposing them are not only massive armies of conventional troops, but hundreds of new or "re-powered" sorcerers of all stripes, against which Kagen's army has one uncertain comic-relief wizard.
It's all done in vivid prose that makes the reader feel the
sting of battle and smell the blood. Maberry’s grasp of weapons and tactics
comes into play, and the ways battles and wars unfold feels authentic. The
author works in his beloved classical references – “pale kings and princes,”
indeed – in a magic-infused future Earth connected to ours by a tenuous skein
of artifacts and legends.
I read the last 50 pages twice to enjoy the way all the
threads and clues came together. There are the climatic battles you’d expect,
but some huge twists along the way. The
battles in on the plain and in the palace are mesmerizing. Kagen and his army face terrifying threats
they never expected, cooked up by the Witch-King and the chaos-loving Prince of
Games, and get a hand from the enigmatic Widow and the Lady in the Towers,
Kagen’s lover and magical ally (and Tennyson’s muse). The third major battle,
on the oceans, gets a less detailed description. The intervention of dragons
and gods of legend is managed without making anything read like a deus ex machina,
and Kagen and his human friends remain the pivot on which history turns despite
these great powers. It’s a heck of a difficult balancing act, and Maberry pulls
it off. (He also does a cool fakeout in which one part of the battle you expect
never happens, raising the surprise quotient for the reader.) The end is satisfying and moving. As in Tolkien,
a world saved is not a world unchanged.
There are a few quirks along the way. The Widow summon
creatures we’ve barely heard of in armies. How did they all get to the battlefield
in a matter of an hour or so? And the ability to recover from injury is a bit
overplayed: a pileup of wounds at the beginning of the books seems to affect
the heroes not at all, and Kagen at the end should never have been able to wield
his daggers again.
Will we visit this world again? I hope so. Certainly, there’s
enough material. Maberry’s canvas has room for characters ranging from a pregnant
cat to the largest and oldest creature in the universe, and Chapter 171 teases
at a future conflict.
Picking up the Kagen novels will set a reader on a voyage for which the term “epic” is inadequate. It’s rich, filled, with memorable characters, and built on a world that feels real and organic: you see the spectacle but never the scaffolding. You’ll follow these characters with enthusiasm, feel their terrors, and cheer for a hero who’s brutal and ruthless but redeemed by his courage and devotion in the face of the unnamable. Don’t miss it.
Matt Bille is a science writer, novelist, historian, and naturalist living in Colorado Springs. He can be reached at mattsciwriter@protonmail.com. Website: www.mattbilleauthor.com.
Saturday, January 18, 2025
OceanXplorers: An exciting new series
OceanXplorers
I watched the first episode of Nat Geo’s OceanXplorers. It was excellent and I’ll make sure to catch the rest, but I had a special interest in this one for a couple of reasons. One was the topic: whales. I’ll watch anything about whales. The second was the guest starring role of marine mammal biologist and STEM educator Mithriel MacKay, a friend who runs the Marine and Coastal Ecology Research Center (MCERC) in Tampa, Florida. You can watch on Nat Geo or Hulu.
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Mithriel MacKay H.P.P. | LinkedIn
www.Marine-Eco.org
www.Facebook.com/researchcenter Facebook
Episode 1 was set in the waters off the Dominican
Republic. The nonhuman guest stars were
humpback whales and orcas, and both put on a show.
The ship looks thoroughly state of the art and downright
luxurious for a research vessel. It has a submersible (a strikingly roomy one
compared to most I’ve seen), a helicopter, and a HoloLab where researchers
wearing goggles can manipulate images of the seascape and its creatures.
The humans enter this realm via the submersible and Zodiac-type
rafts. The raftborne scientists are properly cautious about the giants they
follow, who can change course at any moment.
The expedition members want to know why humpbacks congregate
at a particular spot on the trackless ocean. Here humpback males engage in what
MacKay has christened “Fight Club.” The battle for access to females is savage,
with makes smashing each other halfway out of the water.
Eric and Kerry set shallow hydrophones that listen to the
activities of the whales and contribute to a startling discovery. The seafloor
terrain here forms a gigantic bowl. The humpbacks, singing their famous songs.
make use of it to amplify their efforts. The natural amphitheater amplifies the
strength of their acoustic signals by a significant 11db. The whales who have figured
this out can dominate the local “social media” traffic and reach more potential
mates. A scientific paper on the phenomenon is in work.
That’s not the only surprise on this episode, though. MacKay
and company are in the rafts, trying to attach suction-cupped cameras to the
humpbacks, when they spot incoming orcas. The small group of killer whales
circles the humpbacks, with the alpha using tail smacks to keep them from them
from escaping and signal the rest of their pod. MacKay changes the plan on the
fly (the float?) to attach a camera to a hunting orcas as 18 more gang up on
the humpbacks. The resulting footage is a breakthrough, providing the first
underwater closeups of whale-hunting orcas and revealing their tactics.
Focusing on a calf, the orcas try to push it under. The mother keeps the calf
on her back for protection, but the orcas again and again launch themselves at
the calf, knocking it off. Eventually the exhausted calf is overwhelmed and
killed.
This gorgeously filmed show does a good job of explaining
the science and showing the discussions and findings alongside the spectacular video
moments. If you’re a fan of marine science and marine life, it’s very well
worth your time.
By the way, MCERC does valuable STEM work as well as science. They are worth a donation.
Matt Bille is a writer, historian, and naturalist living in Colorado Springs. He can be reached at mattsciwriter@protonmail.com. Website: www.mattbilleauthor.com.
Saturday, January 11, 2025
Beloved Beasts: Fighting for Life in the Age of Extinction
Michelle Nijhuis
Norton, 2021, 321pp.
The author begins with an opening that, amidst the many harbingers of doom, gives the human race a little credit for coming up with the modern conservation movement. She moves on into stories of people who have fought for particular species or ecosystems. She spans time and cultures. A few names will be familiar to general readers: most, like wolf biologist Michael Soule and Ghanian fish conservationist Emmanuel Frimpong, not at all. Her essay on Namibia and its rhinos gives more space to the dedicated local activists than to the equally dedicated Western conservationists who might make the news. She weaves her own travels and meetings into the story and illustrates it with a small but effective selection of photographs. There are very good chapter notes, further reading suggestions, and an index. There are spots where I'd like maps, but that's a quibble compared to the excellence and eloquence of this book.
Matt Bille is a writer, historian, and naturalist living in Colorado Springs. He can be reached at mattsciwriter@protonmail.com. Website: www.mattbilleauthor.com.
Thursday, December 26, 2024
Review: Merbeings tries for a new take on a legend
Merbeings: The True Story of Mermaids, Mermen, and Lizardfolk
by Mark A. Hall, Loren Coleman, David Goudsward
Anomalist Books, 2023, 200 pp.
The three contributors, each with their own talents, have produced an uneven book, a mix of speculation, interesting stories, and puzzling errors. The late Mr. Hall was an exceptional researcher, Coleman is a prodigious cryptozoological writer and a friend, and Goudsward wrote a very good book on creature tales from Florida. I understand the challenge of trying to mesh the work of three people (most of it by Hall) into a cohesive whole, but I expected a better book.
The book starts with the hypothesis there is a global
species of aquatic primate behind the merbeing stories. Most of the stories of merpeople, as well as some
hard-to-classify animal reports and even “Lizardmen,” refer to some variety of
this species. It’s fair to mention that the late Mr. Hall liked to throw out
provocative hypotheses, and I wasn't always sure how strongly he
believed in them, but this is what we have to work with. If we suspend
disbelief and read with an open mind, the book is entertaining but far from
persuasive.
The authors did their research. The book is filled with
interesting stories, with sources given in the chapter notes. Another good
point is that Indigenous sources are, whenever possible, referred to by tribe
or group names, vs the still-too-common “the Indians around Lake Powell say…”
approach of lazy writers. The writers wisely avoid tying their idea too closely to the
aquatic ape theory proposed by Hardy and expanded on by Morgan: they mention it
just enough to make it a possible source of support without being dragged down
by its universal rejection. Finally, they make a worthy effort to collect
information from all over the world, avoiding being hemmed in by relatively
recent Western motifs. Missteps include stating
the existence of many land primates (meaning sasquatch, yeti, etc.) all over the world as given despite the
nonexistence of hard evidence for any of them and Hall’s championing of Homo gardarensis,
a long-discarded species based on an acromegalic H. sapiens skull.
The supporting accounts are spread all over the world,
decades or centuries apart, often describing creatures quite differently. The
authors suggest there is only one species of marine primate, likely a
descendant of the swamp-liking fossil ape Oreopithecus. The differences are due
to its using ornaments and coverings (including tails) from other mammals and
fish to improve mobility, provide insulation, or express cultural norms. It’s
an imaginative solution, and would be fun for fiction, but without evidence,
it’s much easier to conclude the differences indicate unrelated mistakes, folklore, and
hoaxes. (At one point it is mentioned there might be two species, one genuinely
tailed.)
Tales from fishermen, Indigenous Americans, Western explorers,
and other sources are used, and the hypothesis requires we accept all of them
as true and basically accurate – even the ones about lizardmen jumping on to
the running boards of cars. There is not a whit of evidence besides stories. The
worst choice of an incident to mention concerns huge yellow humanoids (nowhere near water) in
Vietnam. The source account in Martin Caiden’s book Natural or Supernatural?
says American troops blasted the creatures at short range with automatic
weapons without harming them, meaning the story is necessarily a hoax.
The authors never try to condense the accounts into a single
description of the species: size, diet, current range and the reason for it,
reproduction, etc. Nor is there an illustration of such. The book holds that
scientists haven’t discovered the living animal because they are closed-minded
about it and have not collected fossils in the likely places (land once covered by
shallow water), because they weren't looking for them. In any fossil dig,
though, everything is collected and examined, and there have been many digs of
such sites. One might suggest the species was always too rare to have turned up
yet, but if so, it wouldn’t have the necessary worldwide distribution of viable populations.
Hall addresses this by citing a crackpot theory of crustal displacement, which
doesn’t help any.
I don’t think any authors could have made a successful book out of this: the speculation is just too much of a reach, the evidence too thin and scattered to support it. Some of the individual accounts and legends are intriguing, and those plus the references make the book worth having for cryptozoologists, but the boat the authors try hard to build just doesn’t float.
Matt Bille is a writer, historian, and naturalist living in Colorado Springs. He can be reached at mattsciwriter@protonmail.com. Website: www.mattbilleauthor.com.
Saturday, October 19, 2024
Review: A Superb New History of Sharks
The Secret History of Sharks: The Rise of the Ocean’s Most Fearsome Predators
467 pp., Ballantine, 2024
John Long
Dr. John Long, an Australian paleontologist, has gifted us
with the most complete and up to date book on shark evolution for non-specialists.
Written in an informal but precise style, the book is information-packed,
clear, and an enjoyable read if you’re into this ancient lineage of apex
predators.
Long explains the origin of sharks is still a little fuzzy, but by 400 MYA the sharks had established a lineage that continues today: older than reptiles, mammals, flowers, or trees. While he tells many interesting stories of fieldwork, nothing tops the way Chinese scientists found the oldest near-complete shark, Sehnacanthus. They were relaxing, “play-fighting,” and one “kung-fu kicked another into a roadside cliff face.” A rock fell down, split open, and there it was.
As a placoderm enthusiast, I especially enjoyed the chapter
dedicated to the competition of the Devonian era. Hundreds of species of
armored fish, most famously the awesome “dark lord” Dunkleosteus terrelli,
ruled the Age of Fishes, but Long shows the sharks were doing more than staying
small and keeping a low profile. Long before the twin extinctions that ended
the era and the placoderms, they were growing and diversifying, with the
20-foot Ctenacanthus rivaling Dunkleosteus itself in size. (Long
notes the traditional sizing of the Dunk at up to 29 feet and the recent
Engelman estimate of closer to 14 feet.)
After the Devonian, the sharks flourished, using what Long
calls its superpowers. These include the development of electroreception and the
evolutionary flexibility to develop new types of scales, teeth, and other
features. Sharks also invaded freshwater: there are few freshwater sharks
today, but at one time they were numerous and varied. The bizarre tooth-whorl Heliocoprion
arose some 270 MYA. Long includes the story of how a superb whorl was stolen
from a Russian museum, identified by an American fossil dealer when put up for
sale, and in a tale out of a spy novel was retrieved, clandestinely brought
back into Russia and handed over.
The larger marine reptiles of the Mesozoic were the next
direct challenge. Some were bigger than any shark, but the air-breathers couldn’t
invade the deeps. The first lamniform, of the group including the modern great
white, appeared in this era. The sharks even developed some very large species
and spun off the rays as a new type. When the mosasaurs vanished after the K-Pg
impact, the adaptive sharks wriggled through yet another extinction event and diversified
again, producing the wobbegongs and hammerheads. They also grew bigger,
culminating in “the Meg.” Otodus megalodon was the all-time shark king
from 23-3.6 MYA. (When offering a vignette of a Meg attack, Long commits what I assume is a wording error, where he credits early baleen whales with
echolocation), The world moves on, though, and the Meg was ill-adapted to a
cooling of the oceans and/or and the move
of the baleen whales to polar regions. It was in hunting Meg teeth as a boy
that Long first caught the paleontology bug, so I suppose you can thank the Meg
for this excellent book.
Long traces the rise of “the most sharky shark,” the great
white, and spends a chapter on what we do and don’t know about this awesome creature.
He rejects some of the upper claims (the famed Deep Blue may be closer to 17
feet than the claimed 21) but accepts an older 21-foot measurement. He explores
the diversity of the modern sharks, over 500 species (not counting skates and rays),
not overlooking the most numerous but often-ignored group, the deep-water
catsharks.
Long covers in the last chapters the clash – and cooperation
-of sharks and humans, the threats to sharks, and the many things we learn from
them. He concludes, “If we can save the oceans and save the sharks, we can save
the world.” He finishes off the book in exemplary fashion with detailed chapter
references, a list of scientific names, a glossary, and an index. The
accessibility of Long’s prose, his deep knowledge of, and love for, his topic,
and the well-chosen black and white photos and drawings illustrations combine to
make this the apex predator of modern shark books. Bravo!
Matt Bille is a writer, historian, and naturalist living in Colorado Springs. He can be reached at mattsciwriter@protonmail.com. Website: www.mattbilleauthor.com.
Monday, October 14, 2024
Review: Dr. Space Junk vs the Universe
Dr Space Junk vs The Universe: Archaeology and the Future
Dr. Alice Gorman is one of the pioneers of space archaeology, a field even many space exploration buffs have never heard of. We think of archaeology as the study of ancient civilizations, but archaeologists work right up to the present day, and anywhere humans have gone is a potential archeological site.
Gorman comes at this from an interesting perspective thanks
to growing up in Australia, a nation that isn’t a major space power but has
always been a player. Australia has hosted tests and launches and, most
famously, has served as the home for tracking and telemetry stations throughout
the Space Age. The most famous station, at Woomera, supported the Apollo
flights to the moon.
Gorman grew up on a farm. Like most farms, it had a dump
site and a field for rusting, abandoned machinery the children liked to explore.
These are the kinds of places archaeologists use as treasure troves of
information about the past.
Gorman cites a document called the Burra Charterdeveloped by
the Australian chapter of the International Council on Monuments and Sites that
establishes the principle “do as much as necessary and as little as possible”
to save the past. It was not written with the idea of applying to things in
space, but it could. She notes discarded technology tells us about the society
that discarded it as well as that which built it.
While an archaeologist named James Deetz was apparently the
first to write about it, space archeology didn’t establish itself until
publications around the turn of the century. Gorman presented her first papers on the topic
in 2003. [Arthur C. Clarke may have predated all these with his suggestion that
Vanguard 1 would be collected for a museum.]
Gorman gives a quick sociological sketch of the Space Age to
set the conversation. She makes one common error, saying the U.S. government
picked the Vanguard satellite over the proposal that became Explorer to keep it
as civilian as possible: I and many other historians have failed to find
evidence of this. She examines the importance of Vanguard 1, noting the
Vanguard program spurred the global MiniTrack system, and she speculates on the
current condition of Vanguard 1 in Low Earth Orbit (LEO).
She discusses some satellites generally overlooked but
culturally significant. These include the first amateur satellites and LAGEOS 1
and 2, smallsats covered with reflectors
which are still used every day by ground lasers to inform us of their distance
and provide data on the Earth’s rotation and magnetic field. She examines the
Soviet Venus probe Venera 14 (noting it looks like a Dalek from Dr, Who) and
suggesting it had the mass of “six standard Daleks.” The ESA Rosetta mission
left a lander and the main spacecraft’s crash site on a comet. To Gorman, the
location of an artifact, whether on a landing site, an orbit, or a trajectory,
is part of its significance, and one of the considerations in deciding how to
study it and whether to retrieve it.
One of Gorman’s recurring themes is that spacecraft, born of
high-visibility projects, have great cultural and political significance. I
don’t think anyone can dispute that, although she perhaps overreaches in
finding the launch of Elon Musk’s Tesla not just a brilliant PR stunt but
conspicuous consumption, in addition to a red sports car being a symbol of
masculinity. She wonders if there was a selection committee that might have pondered
this, or if Musk did: I doubt both. But there’ s no doubt everyone will
remember this as a tipping point in the awareness of space privatization.
Gorman probes a central question – how do you do archaeology
on things you can’t touch or often even visit? One answer is that much of the archaeology
work is done on Earth, in launch sites and other locations and by telescope and
telemetry reception. Reactions to space events like the short-lived fad of
Sputnik-inspired food and the creation of playgrounds with rocket shapes, is
also archeological information. She explores the sites in Australia left from
the nation’s early space age, which she laments is almost forgotten.
There are, she calculates whimsically, the masses of 1,000
African elephants of human stuff in space. The stakes in managing all this are
high and can include human lives. It’s not all important, but what of this
qualifies as space junk, “junk” being a cultural term that different people
apply to different objects? Much of it much be removed for safety. “Empty”
space is not a pristine nothingness, but a dynamic and endless region:
archeology basically goes from the Earth up and unites us with space through our
objects. We have to consider risk, environmental impact, and other things when
we launch and when we destroy or remove. An intriguing question I’d never thought
about is, “When is a satellite dead?” When it stops being used? When it no longer
generates power? When does it become junk?
Then there is the Moon. She traces the history of our fascination,
which essentially made it a human cultural landscape before we physically
touched it. It was the scene of the first physical archaeology done in space,
when Apollo 12 took parts of the Surveyor 3 lander home. She notes the
complexity of ownership: the US owns the lunar launders, but the sites they are
on? The tracks of boots and rovers? Gorman notes that even the most
insubstantial things mattered. We created new shadows, which are starker, more
dramatic things than on Earth. There are many open questions about landing
habitation, and exploitation of the moon, like mining.
You’ve grasped by now that Gorman is not sticking strictly
to archeology as the lay reader normally conceives of it. There’s a great deal
of philosophy and sociology and political science in here. Archeology does not
take place in a vacuum (even in space, where it sort of does), Along the way we
learn things about archaeology itself, I never knew there was a standard book by
which archeologists classify colors of objects and images. The author describes
how even the smallest, most common objects are part of an endeavor or culture,
using cable ties as her example for space. Gorman writes in a personal, welcoming
style, as if she were sitting in the reader’s living room and talking about her
topics.
Space exploration carries with it two clashing narratives,
that of colonialism and that of “shared human global endeavor.” This connects
us all, some more strongly than others: Gorman remembers feeling disconnected
when Voyager 2’s messages to Earth went temporarily silent. Gorman talks about
how regions defined by dust and shadows and temperatures and solar winds become
part of our “ocean” when we reach out and visit and measure them. She discusses
the development of the Voyager Golden Records and the long debate about what
sounds to include. Music from Australian Aboriginal artists is included. It
reminds us that the cultures on Earth we sometimes think of as vanished or vanishing
are not only with us, but immortal when we carry them to the stars.
Into this comes the question, “Who owns space?” The Outer Space
Treaty declares space is our “common heritage,” but Gorman wonder if even that
is too narrow. It’s still Earth-centric. Space is a cultural landscape as well
as a place: we change it everywhere we touch it. Naming things is just the
first step. Archaeologists always want to know what names cultures give to
places. The IAU now tries to include all human cultures in naming conventions.
A few features are named with Aboriginal words, and Gorman traces them back to
their origins with a people who were in some cases affected or displaced by a
rocket range.
We also become part of where we die. Humans haven’t died in
orbit or on other bodies, but we will. The first remains in space are on the
Moon and in orbit.
Gorman closes with a vignette of a future archaeological
mission going toward Earth, finding more and more evidence of life – current or
past - as it encounters probes and landing sites. She asks us to imagine
reversing the journey we are now taking and consider what it would be like.
Gorman does not devote many pages to the methods of physical space archeology. Tools and techniques will need to be developed as we go. Her focus instead is placing space exploration in an archaeological context and vice versa. This is a pioneering work that will be part of the canon as this field matures and grows.
Matt Bille is a space historian, science writer, and novelist living in Colorado Springs. His book The First Space Race is a groundbreaking account of the first satellite programs in the 1950s. See www.mattbilleauthor.com or contact him at mattsciwriter@protonmail.com
Friday, September 27, 2024
Reentry, Eric Berger's New Book on SpaceX
Reentry: SpaceX, Elon Musk,
and the Reusable Rockets that Launched a Second Space Age
Eric Berger
BenBella, 2024
In this second book
on SpaceX, Berger continues his role as outside historian of the company: that
is, he does not work for SpaceX but has official inside access. (I once suggested
to SpaceX President Gwynne Shotwell that SpaceX should make that arrangement
with me: I didn’t know they were already talking to Berger.) Berger mentions
Musk’s very controversial public image at the beginning but does not return to
it until the last chapter: his focus is on how the launch company developed and
succeeded, with a great deal of emphasis on its relationship with NASA.
Berger’s prose is
clear and crisp throughout the book. He knows his stuff, technically, and
explains it in terms suitable for smart high schoolers on up. I didn’t see any
errors in the technology sections, though I thought there were points that
needed elaboration. Berger also describes the personalities well, and dips into
the work environment several times. He mentions the work-related controversies even-handedly,
if too briefly. He writes that VPs at SpaceX knew they would last only a few
years at that level before they were burned out or fired, yet there was no lack
of competitors for such jobs or any SpaceX job.
The media narrative of SpaceX’s sometimes-difficult
partnership with NASA is, not surprisingly, oversimplified. That’s sometimes
because Elon Musk oversimplified it in comments to the press and sometimes
because the media lacked expertise or didn’t do the research. NASA contracts,
some of them awarded before the space agency could be certain the company could
deliver, saved SpaceX from bankruptcy at least twice. When the Air Force and
the Department of Defense (DoD) in general balked at the very idea of letting
the upstart upset the cozy but costly relationship with its sole launch
partner, United Launch Alliance (ULA), NASA money let SpaceX prove itself.
While it’s not something Berger explains in detail, SpaceX’s
old-fashioned rapid fly-fail-fix development approach drew some admiration but
a great deal of caution from NASA ranks. A famous example, fixing an engine
nozzle on a ready-to-launch Falcon 9 by cutting off the bottom ring of metal
rather than pulling the engine, investigating the cause, and replacing the
nozzle, startled government and old-line company engineers. SpaceX’s view was
that there was plenty of time to diagnose the problem later: if the rocket
could fly safely, then speed was more important.
There were a lot of times, especially with respect to the Dragon
capsule, where SpaceX wanted to move faster than NASA would let them. Berger
recounts incidents when SpaceX’s speed-first approach came back to take very
expensive bites out of the company’s collective butt, also he also tells the
lesser-known story of how accommodating NASA could be. NASA officials, including ISS program manager
Mike Suffredini, flight director Holly Ridings, human spaceflight chief Bill Gerstenmaier
(now at SpaceX), and especially Kathy Leuders, did everything possible to meld
SpaceX’s way of doing things to NASA’s, maintaining the critical requirements
and making re-interpretations or exceptions when warranted. SpaceX’s Gwynne
Shotwell sometimes told the Dragon teams to make a change because “we need to
do this for Kathy” so Leuders could convince the conservative establishment at
JSC that SpaceX was doing things right. SpaceX often gave NASA good reasons for
headshaking. I was thoroughly surprised to learn SpaceX didn’t hire someone
dedicated to making sure Dragon met all of NASA’s specs until the first capsule
was mostly built.
Sometimes NASA applauded the SpaceX approach. When a rocket
was lost because a helium pressurization bottle exploded inside the oxidizer
tank, SpaceX took 30 of the bottles into the desert and overstressed them in
every way imaginable, blowing them up until they replicated the failure. Gerstenmaier
applauded the speed with which SpaceX got to work and found the answer, noting
it would have taken NASA six months just to get the tests started.
NASA was a cakewalk compared to the DoD, a story Berger
should have spent more time on. The Air Force, which purchased DoD launches
including those for the intelligence agencies, had a fixed model of giving ULA
sole-source contracts, paying very high prices for proven, reliable expendable
boosters. ULA, a joint venture of Boeing and Lockheed Martin, was investing almost
nothing in improving technology or cutting costs. DoD reasonably demanded new
rockets be flight-proven, but it had no interest in looking at such entrants.
SpaceX had to combine launch success with lawsuits, lobbying, and Musk’s
relentless and successful PR campaign to open up the national security market.
To flesh out what Berger does not, my work at the time gave
me a front-row-seat to the military side, and I remember both the excitement of
the junior officers and the dismissal by most senior officers, reinforced by
constant objections and considerable ridicule from ULA and the in-house tax-funded
support contractor Aerospace. To be fair, DoD had seen new rocket companies
appear and vanish, including Beal Aerospace, which was better funded and more
conventional than SpaceX: to use a military metaphor, Musk and company had to
climb over many bodies of previous casualties just to reach the front lines.
SpaceX is most famous for making boosters reusable. This wasn’t
part of Musk’s original vision but was added as he and his people wrestled with
long-term cost reduction. The investment cost of making a launcher reusable was
not something NASA or DoD felt was worth dedicated funding, although some NASA
technology development money awarded to SpaceX went into it. NASA had looked at
reusability many times in addition to the Space Shuttle and always found it not
worth the cost and development risk. NASA felt the same way about densifying
propellant by chilling it to supercold temperatures so a tank could hold more,
a worthwhile improvement but a very difficult technical feat. Seeing SpaceX
develop both technologies impressed the agency.
Berger writes the biggest NASA crisis came when SpaceX’s
desire to “load and go” – to load the densified propellants once the astronauts
were already in the Dragon to speed the process and lengthen the launch window
– drew instant and near-universal negative response from NASA experts. It took
dozens of safe uncrewed Falcon 9 flights and a mountain of studies and test
results to get NASA to declare the concept safe.
Musk’s greatest strength – his ability to lay out
ever-grander visions and inspire people to work insane hours to make them come
true – was also a weakness when dealing with NASA. Musk’s vision of a
civilization on Mars was one thing: devoting SpaceX to two huge projects, the Starship
vehicle to make Mars possible and the Starlink constellation to pay for it,
while he had NASA work on contract, led to trouble. NASA leaders pointed out,
acidly in a public tweet from Gerstenmaier in 2019, that Commercial Crew was
two years behind schedule and Musk needed to get Dragon flying first. Usually,
this prodding had the right effect. Musk had (and has) a bad habit of
announcing projects with timelines even SpaceX could not approach, but in the end,
SpaceX delivered much faster than any other company or agency could, and for
less money: when that happened, the troubles were generally forgiven.
The idea of the Commercial Crew program to let companies
take astronauts to the ISS never sat well with NASA’s Apollo- and Shuttle-era
veterans, even innovators like Administrator Mike Griffin. It was first funded
in 2009, but the contracts were not awarded until 2014. NASA Commercial Crew
head Phil McAlister just barely convinced a skeptical committee that wanted to
rely on Boeing that funding only Boeing when SpaceX was 60 percent cheaper was
not only bad policy but was going to create massive lawsuits. The resulting
dual awards served NASA very well, as SpaceX missed the original timeline but
delivered the capability much faster and cheaper than its rival. SpaceX won
another round with NASA when it received permission to lease launch pads at
Cape Canaveral over Boeing’s vociferous objections.
Musk’s idea that Dragon should land using only thrusters was
part of the delay. His team simply couldn’t make it happen reliably. It became
clear NASA was never going to sign off on the contract waiver needed to use
such a risky option, and let SpaceX know it. SpaceX had to give it up and go to
parachutes and water landings after a great deal of wasted investment. Then
Crew Dragon parachute failures cost most time and money. SpaceX did convince
NASA to buy off on a capsule controlled mainly by touchscreens, something
veteran astronauts were initially very leery of.
Once Crew Dragon was flying, Musk had to sell NASA and DoD
on his next vehicle, the Falcon Heavy. NASA declined to put a payload on the
first flight of such a massive, innovative rocket, even for free, so Musk’s
Tesla roadster went up instead. NASA was convinced, moving its Europa probe
from SLS to FH at what Berger estimates was $2B in savings. DoD came on board
as the alternative, the Delta IV Heavy, was being phased out.
SpaceX’s unprecedented launch cadence has made NASA and DoD
drastically overhaul range operations. So far, it’s worked out. The success of
the NASA-SpaceX partnership helped the latter win the 2021 Artemis contract for
the lunar lander. SpaceX’s radical mission architecture and lander design would
never have passed NASA reviews a decade earlier. Now, Berger points out, NASA
can only afford Artemis and other exploration programs because of the cost
savings SpaceX provides for its non-SLS launches.
NASA is tied ever more closely to SpaceX and has no real
alternatives until and unless ULA, Rocket Lab, and/or Blue Origin can provide
similar capabilities in the same price range. Both pragmatic and political
concerns will likely drive NASA and DoD to diversify their launch options. The
ever-dominant issue of cost, however, may keep SpaceX in the lead for a long
time.
Berger closes by musing on SpaceX’s indispensable strength
and its biggest weakness – Musk. Musk is, to some American politicians,
radioactive, and having the more diplomatic Gwynne Shotwell run SpaceX only
goes so far. Musk’s image as a man singularly focused on moving humanity into
the technological future and taking us to Mars was gone once he bought Twitter/X,
which does none of those things and is enmeshed in a storm of controversy about
everything from allowing hate speech to organizational turmoil.
As Berger explains, a conventional workforce can’t be
managed like SpaceX, whose employees all sign up knowing the pace will be
murderous, and Musk never took this into account with Twitter. Berger describes
an interview with NASA Administrator Bill Nelson where he asked about Musk’s
behavior: Nelson changed the subject to praise Shotwell. Berger wonders what
will happen when Shotwell eventually retires (she is 60) and whether Musk’s
future activities will make working with his companies even more fraught for
government and private partners.
The one thing that disappointed me about this book is that
Berger does not go into any of the details about how NASA/DoD and SpaceX work
together on the front lines: he keeps it to the major players. The day-to-day
workings of the partnership in the many locations they take place, between
workers at low and mid levels, could at least have a chapter or two here. But
it’s clear NASA and DoD have succeeded in making things work with a company
whose culture is radically different from their traditional contractors.
In summary, the story Berger tells about Space X and the government is one of sometimes-fractious partners who made it work. There’s no question the partnership will continue, for decades at least. It may even take us to Mars. Berger’s first-rate book is indispensable to anyone who wants to understand how that partnership was born and nurtured along with the technology to make it worth pursuing. A good photo section and an index round out the book.
Matt Bille is a historian and writer in Colorado Springs. His 2004 book The First Space Race chronicled the Sputnik-Explorer-Vanguard competition of the 1950s See www.mattbilleauthor.com.
Sunday, September 08, 2024
Review: The Bear Almanac
The Bear Almanac: A Comprehensive Guide to the Bears of the World
Gary Brown
Lyons Press, 2024 reprint of 2009 text, 341pp.
This just-reprinted guide to the bears covers every aspect of bruins and their lives. The text is highly readable and the illustrations, charts, and lists are copious and helpful. Brown, a retired NPS ranger who wrote two other bear books and who died in 2022, was a field expert on the topic with few peers. I received a free review copy of this reissued book.
The reader does have to get used to the unusual structure of the book. Most bear books take the eight species and assorted subspecies in order, describing everything about each and moving on to the next. Brown did it the other way. There are sections on bear anatomy, bear behavior, and so on, and for each of the subtopics within these (e.g., teeth, hearing). Brown goes through how they apply to the different species, with asides on things like examples of known navigational feats. This fact-packed but oddly organized section fills half the book. The second half is titled "Bears and the Human World." Brown offers information on bears and human culture, such as Indigenous and modern bear-related ceremonies and festivals, hunting, the bear “medicine” trade, conservation, and how humans can avoid confrontation. Tons of bear trivia make this section enjoyable as well as informative.
On my personal favorite topics, Brown notes the confusion of subspecies but doesn't consider odd reports that may indicate uncatalogued types. (Granted, this is a topic most bear experts don't seem to think worth examination: bear cryptozoology is a matter of very scattered evidence.) On the possible survival of the Colorado grizzly, the book provides a list of sightings and indicates Brown was definitely open to the possibility.
The book closes
with a very good bibliography.
There’s not much the average bear aficionado will have to
look elsewhere for, except for discoveries after 2009. While the structure doesn’t
lend itself to a casual reading from beginning to end, this is a comprehensive book
on bears and the world we share with them. It will occupy a permanent place on my reference shelf.
Wednesday, August 28, 2024
New Book on Paleontology's Frontier: Microfossils and chemicals
Dake W. Greenwalt
Remnants of Ancient Life: The New Science of Old Fossils
Princeton, 2022. 278pp.
Like DNA, this book folds a great deal of information into a
compact space (228 pages of text plus a good reference section). Greenwalt is a
scientist at the Smithsonian, specializing in fossil insects, and here he
covers the highlights of the new frontier of paleontology: retrieving chemical
signatures, proteins, and biomolecules from fossils. There are chapters on
pigments, biometals, and the indicators of fibers and feathers on our friends
the dinosaurs.
Greenwalt became famous for a paper reporting the presence
of hemoglobin in a mosquito 46 million years old. What animal it fed on can’t
be determined, though Greenwalt suspects it was a bird. Greenwalt takes us back
to the beginnings of life: a claim of isotopic evidence 4.2 billion years (BY)
old, stromatolites 3.7 BY, and then the great leap to the first known multicellular
animals at 1.6BY. A singular moment in detecting biomolecules came later: Dr,
Kliti Grice isolated molecules including a “cholesterol-like” one in a
crustacean 380 million years old. Chlorophyll? Found in still-green fossil
leaves in the stomach of a German mammal fossil 46MY old.
Greenwalt explains the function of individual molecules and
why we find them in the creatures we do. Melanin is not just a skin pigment: it
evolved as an antioxidant and is used in many places in nature, including
serving as a clotting factor for an injured insect. It turns
up in a dizzying array of creatures up to 300 MY old. Phosphorus molecules are
markers showing the presence of bones that rotted away before fossilization.
Copper can help us determine the color of an ancient creature.
Greenwalt examines the use of molecular clocks, a useful if
imperfect way of using changes in the genes of a protein tracing relationships
and estimates the time a group emerged. He offers an example everyone has heard
of, the enormous ape Gigantopithecus. He describes the work of Chinese anthropologist
Wei Wang in excavating wonderfully preserved Giganto molars 1.9 MY old, whose
enamel yielded partial sequences from six proteins. This was matched with other
evidence to prove the theory Giganto was a hominid closely related to the
orangutan (sorry, Bigfoot fans.)
He celebrates the countless recent discoveries, including
thought-impossible finds like collagen sequences from a T. rex, which
some scientists argue are impossible: other labs reported they could not
replicate it and there must have been contamination. We revisit the iceman,
Otzi, and learn what we know so far of prehistoric humans and our close
relations. Greenwalt explores the mechanics and limits of preservation in amber
and goes into the oft-overlooked topic of molecular clues in plants.
It’s all clearly explained: I’ve no chemistry background,
but I understood everything.
Greenwalt tackles two side topics. He sees no chance for
bringing back dinosaurs, On the mammals, he asks whether the effort to create
something resembling a mammoth, if possible, would be the best use of the
enormous resources involved. He also takes a look at the quest for
biosignatures on Mars. Based on the finds at the time of publication, he
doesn’t think we have the evidence but offers hope we may yet find it. He mixes
in stories of discoveries and fieldwork that make the topic about scientists as
well as science. Onne section walks us through the exhaustive efforts needed in
a laboratory to isolate the desired clues while avoiding contamination. The
illustrations (photographs and drawings, like phylogenetic trees) are good, but
I wanted more diagrams of the structures and molecules he was writing about.
An interesting idea I’d never read elsewhere is using extant creatures including “living fossils” to gain some insight into elements of a long-vanished common ancestor’s genome. As an aficionado of Dunkleosteus terrelli, I wondered if we could “triangulate” genetic information bony fishes (the placoderms’ descendants), and coelacanths: that’s likely a step too far, but it shows the kind of imagination this book sparks in readers taking a new look at a lost world.
Matt Bille is a writer, historian, and naturalist living in Colorado Springs. He can be reached at mattsciwriter@protonmail.com. Website: www.mattbilleauthor.com.
Tuesday, August 20, 2024
Impressive Orca Exhibit at the Denver Museum of Nature and Science
On the 18th, with my daughter Corey and her girlfriend Samantha as company and support staff, I visited the Orca exhibit currently showing at the Denver Museum of Nature and Science. I love orcas, and it was sort of Orca Week, with my friend Dr. Mithriel MacKay appearing with humpbacks and orcas on the new Nat Geo series OceanXplorer. (Another post on that will follow).'
Orcas: Our Shared Future was created by the Royal British Columbia Museum in Victoria, Canada and MuseumsPartner in Austria. It fills a huge exhibit space, nicely set off with curtain screens to create an immersive space divided into several large rooms. The initial attention-grabbers are three Southern Resident Killer Whales (J pod, to be exact), sculpted life size. There's an outstanding section on the science of orcas: evolution, ecotypes, the growth of our knowledge, instruments created to study them, and so much more. The ecotypes and populations are presented on screens in illustrations and text: the recent paper naming a second species is not mentioned, but otherwise it's very up-to-date. There's an interactive light-table exhibit (I'm not sure if that's the right term) where visitors can move through views of the orca's body systems and anatomy. There's even a display of models of inner-ear bones of whales and their ancestors, although it needed more labeling about how important these are to scientists. Static screens and video also depict the complex, long-lasting family bonds of orcas.
While the range of the species (if it is one species) is vast, orcas are especially deeply entwined with the Indigenous cultures of Northwestern North America. That link is explored in carvings, objects like a canoe-sized cedar gift-serving dish for a potlatch ceremony, dance, paintings, and oral history. There are dozens of such objects all tolled in this room and throughout the exhibit.
Tilikum and Blackfish are covered, as is the case of Morgan, rescued for rehab and supposed release but kept as a new bloodline for the captive market. Scientist Lori Marino, who I know slightly, is featured in a video arguing for Morgan's personhood, a complex matter on which not much has been decided. Objects like marine debris, maps, and a game table explore the threats to orcas and marine life in general. There's another interactive spot where visitors can see how thew sounds of different ships affect the whales' world. That's an item of special interest to me: I made a presentation on satellite tracking to the Conference on Small Satellites in 2018 where we used new software to display sound clouds around vessels. There's a poll where visitors can express ideas on matters like the most important steps to take to safeguard the species.
It's a memorable exhibit. The level of the text and other information is nicely chosen for a broad audience without talking down to anyone. The detail is thorough but won't overwhelm any but the youngest schoolchildren. Everyone will leave with newly-acquired knowledge, and very few will leave unchanged.
Matt Bille is a writer, historian, and naturalist living in Colorado Springs. He can be reached at mattsciwriter@protonmail.com. Website: www.mattbilleauthor.com.